When monsters raise monsters: Hulu's "The Act" Review.
Hulu's "The Act" brings the story of Gypsy Rose and Dee Dee Blanchard to life, highlighting the devastating effects of Munchausen by proxy.
The first episode of The Act opens inside the bubble-gum
pink, wheelchair proofed house of Dee Dee and Gypsy Rose Blanchard, camera
panning through a deserted hallway littered with an eerie collection of soft
toys, princess dresses and prescription medications. The mother-daughter duo --
Gypsy with her clunky wheelchair, exclusively pink attire and goofy glasses
along with her mother, Dee Dee, who always keeps a protective hand on her
handicapped daughter’s shoulder, are nowhere to be found – until a skin-crawling
911 call from their faithful neighbours reveals a horrifying revelation to the
audience: “That b*tch is dead!”
As a true crime enthusiast, any television show that opens
with the words “based on real events” gets my heart racing – and this is true
for The Act, the Hulu original web drama adapted by Michelle Dean and Nick
Antosca from Dean’s 2016 BuzzFeed feature,
based on the real life tale of Gypsy Rose Blanchard and her mother, Dee Dee Blanchard.
The series is not secretive about the fact that it dramatizes some of the
events depicted in the 8 parter, but otherwise accurately adapts the story of a
mother who tricked the nation – and her own daughter – into believing her child
was suffering from numerous medical conditions as a direct result of Munchausen
syndrome by proxy.
One of the show’s best assets is its incredible cast that
brings the story to life in a way that makes the audience feel as if they are
watching the real thing unfold. The Act stars Joey King as Gypsy Rose
Blanchard, a young bald-headed girl with a list of medical issues as long as
her arm, propped up by a wheelchair she doesn’t need and charitable donations
from Make-A-Wish and her doting mother who never seems to let her out of her
sight.
A far cry from her
previous roles as a late blooming teenager in The Kissing Booth film series, it
is no wonder King was nominated for both a Primetime Emmy Award and Golden Globe Award for her
role in The Act – the 21 year old actress embodies the real life Gypsy Rose in
an eerily perfect fashion, nailing the squeaky helium-esque voice and innocent acceptance
of her mother’s authority that she is iconic for. It is this, paired with a gripping
script that delves into the double life of Gypsy Rose -- infantilized, Disney
princess-dress wearing girl with the cognitive abilities of a seven-year-old by
day and rainbow-wig-wearing BDSM loving woman with an online boyfriend at night
-- that King perfectly executes.
Patricia Arquette
who plays Dee Dee adds depth, her performance as over-protective mother intent
on keeping her daughter all to herself creating a palpable tension in every scene
that builds until Gypsy finally has enough of sneaking out to get the sugar
fixes her mother denies her of (claiming she is allergic) and the physical
abuse that leaves Gypsy disfigured and toothless much to Arquette’s Dee Dee’s
unnervingly calm satisfaction, and Gypsy’s plan to escape her mother’s grasp once
and for all begins to unravel manically across the eight-episode series.
Although the
pacing tends to lag at times, and moments of inaccuracy such as the close
relationship between the Blanchard’s and their neighbours seemingly added for drama
factor threaten the austerity of the show at times, “The Act” really does live
up to its name, portraying the true “act” a young woman was forced to live by
her mother for 23 years that no Wikipedia article or real-life-murder trial
could ever capture with such a gripping and moral-tearing realism.
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